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Not in the clamor of the crowded street, not in the shouts and plaudits of the throng, but in ourselves, are triumph and defeat.--Henry Wadsworth Longfellow
REDIRECT ALERT! (Scroll down past this mess if you're trying to read an archived post. Thanks. No, really, thanks.) Due to my inability to control my temper and complacently accept continued silliness with not-quite-as-reliable-as-it-ought-to-be Blogger/Blogspot, your beloved Possumblog will now waddle across the Information Dirt Road and park its prehensile tail at http://possumblog.mu.nu. This site will remain in place as a backup in case Munuvia gets hit by a bus or something, but I don't think they have as much trouble with this as some places do. ::cough::blogspot::cough:: So click here and adjust your links. I apologize for the inconvenience, but it's one of those things. Tuesday, October 28, 2003
Oral Histories
I link to the Library of Congress site a lot, because it is a rich source of material--doing a search through the collections you can find just about anything. In keeping with this morning’s call for entries, I thought I would do a little research on spooky stuff and came across the interview of Ophelia Jemison of Charleston, SC. It was conducted in 1937 as part of the WPA Writers Project program by Cassels R. Tiedeman (about whom I have only been able to find that she died in 1952, and Miss Ophelia seemed to be just about her sole assignment with the WPA.) Ms. Tiedeman describes Ms. Jemison thusly: Ophelia Jemison, born three years after freedom, is a typical Negress of the emotional type, possessing many of the characteristics of her African ancestors. In expressing her religious feelings she becomes most dramatic and when, as she is fond of doing, she tells a Bible story, she enacts the part of the main character of the story, really losing her identity. [...]You kind of get the idea that Ms. Tiedeman was a bit put off by her subject? Anyway, she conducted about 14 interviews with Ms. Jemison, each one painstakingly transcribed into what I’m sure Ms. Tiedeman would describe as ‘accurate Negro dialect’, and about 3/4 of which have some sort of ghostly subject matter. Dialect is dreadfully difficult to do in a way that doesn’t detract from the story matter or demean the speaker. Ms. Jemison has some real corkers—the following is one entitled simply ‘Ghosts’. You can read the original version here, and the following is my version with some of the cumbersome dialect edited a bit to make it more readable: Ophelia was asked if she believed that spirits ever came back to see their loved ones.
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