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Not in the clamor of the crowded street, not in the shouts and plaudits of the throng, but in ourselves, are triumph and defeat.--Henry Wadsworth Longfellow
REDIRECT ALERT! (Scroll down past this mess if you're trying to read an archived post. Thanks. No, really, thanks.) Due to my inability to control my temper and complacently accept continued silliness with not-quite-as-reliable-as-it-ought-to-be Blogger/Blogspot, your beloved Possumblog will now waddle across the Information Dirt Road and park its prehensile tail at http://possumblog.mu.nu. This site will remain in place as a backup in case Munuvia gets hit by a bus or something, but I don't think they have as much trouble with this as some places do. ::cough::blogspot::cough:: So click here and adjust your links. I apologize for the inconvenience, but it's one of those things. Wednesday, April 30, 2003
BULL!
Time once again to dip into the tiny treasure known as Everybody’s Writing-Desk Book, co-authored by Charles Nisbet and Don Lemon. For those new to Possumblog, my wife gave me this book as a Christmas present (eerily peculiar, seeing as how she doesn’t know that I have a blog) and it has been a source of sage writing advice and interesting historical flummery ever since. Today’s excerpt (from the 1901 edition edited by Dr. James Baldwin) is from pages 40-42, and deals with… Indeed. Anyway, what always strikes me whenever I do these little exercises is how much cultural literacy the authors demanded of their readers—we have references to Roche, Butler, and Grey, as well as examples of the 18th century stage and Greek mythology. And so, with the help of Google, I get some much needed learning up. As for the title of the post, there is a great Richard Lederer article about Irish bulls and the colorful Sir Boyle Roche in the March 2001 Journal of Court Reporting (Googlecached). Seems Sir Boyle would have had great success deciphering ‘misunderestimated.’ The next bit of needed cultural info is the reference to Hudibras, a series of burlesque poems written by Samuel Butler. Later editions of the books carried engravings by Hogarth and commentary by Zachary Grey: […] Another clergyman of literary tastes, Zachary Grey, rector of Houghton Conquest, Bedfordshire, wrote much on church questions, but is mentioned here because of his edition of Hudibras, “with large annotations and a preface,” which appeared in 1744, with illustrations by Hogarth. The text was explained by plentiful quotations from puritan and other contemporaries. Warburton rendered some help, which he apparently thought was not sufficiently acknowledged; for, in his Shakespeare, he said that he doubted whether “so execrable a heap of nonsense had ever appeared in any learned language as Grey’s commentaries on Hudibras.” A Supplement to Grey’s valuable work, with further notes, appeared in 1752. Grey attacked Warburton in several pamphlets, and charged his antagonist with passing off Hanmer’s work as his own. In 1754, Grey published Critical, Historical and Explanatory Notes on Shakespeare. He died in 1766. […]Sounds like Grey would have enjoyed blogging. The cryptic (to me at least) reference in EW-DB to a 'Mrs. Siddons' (sorta like someone a hundred years from now puzzling over mononymous stars such as Cher or Elvis) got me to searching, and I found that in her time she was just as much a celebrity as Nicole Kidman or Catherine Zeta-Jones today. An actress with all sorts of juicy history, there is a good biography of her at the Burns Country site and at Encyclopædia Britannica. Being a big star, she knew the importance of image, and despite not having a swarm of paparazzi around her, she still managed to get herself two-dimensionalized quite a bit. Here is a portrait of her in the National Gallery by Thomas Gainsborough, and then one by Joshua Reynolds, and one by Sir Thomas Lawrence, and an engraving by Adam Buck. Personally, I still prefer Miss Zeta-Jones.
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